Through the Mail Slot

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Just wrapped up another Astro City script—and just signed contracts for what used to be called American Gothic, but now has a new title, which I’m sure we’ll be telling you about in time. But for now, let’s see what’s come in via e-mail.
Hollis writes…

Don’t have a lot in common with you, except for one thing—Sept. 16, 1960.
‘Twas a fine day, that day.
Well, I liked it! And it gave us Mike Mignola, as well. And, if I recall correctly, inker Keith Williams and Legion fan and onetime Marvel typesetter Brenda Mings. A pretty productive day, September 16, 1960.
Nikko Elliott writes…

I just saw my letter in the Astro City lettercol! That was awesome! What a beautiful cover on that issue. Give my props to Alex. And I loved that ending. Dark Age was a decent story, not my favorite, but that ending covering Samaritan made it worth while. I’m a big Samaritan fan.
Anyway, I just wanted to say thanks for putting my letter in the lettercol and, also, I wanted to make a prediction. I think Old Soldier is the Silver Agent after years/decades/(centuries?) of time travel. I’m eagerly awaiting the Silver Agent specials (there are two, right?). Keep up the great work!
Thanks. The Old Soldier and the Silver Agent, hmm? It’s an interesting idea, at least. And I guess you’ll find out if you were right or not pretty soon.
Next up, Xiko de Couto…

I do not speak your language, then translate the Portuguese to their language by Google. Forgive me.
I’m 29 and I became a fan (of carterinha, as they say here in Brazil) when I read Superman: Secret Identity. For me the best Superman story ever written. I say this because I was tired of the sameness of the comics. Nobody grows old, no one dies (and remains so), nobody does child, very annoying. Unlike the manga, where the stories have a beginning, middle and end. No wear of the hero. Then comes before me this story his own, I wanted to film that turned the world to see his genius, proving that the character may be subject to major routes.
Well after this statement, I humbly ask if you want to do a similar project with other iconic characters from DC or another editor and if you use twitter, so you can follow more readily their future work.
I am indeed on Twitter, Xiko, and you can find me here.
As for doing another project like Superman: Secret Identity with a different iconic character, all I can tell you is to get ready for Batman: Creature of the Night, by me and John Paul Leon—along with letterer Todd Klein and editor Joey Cavalieri, who also worked on S:SI.
It’s not the same as S:SI, since Batman’s a different character and deserves a different kind of story, but it’s definitely in the same territory—and John Paul is doing absolutely gorgeous work. It won’t be scheduled until a lot more of it is done, but it’s in the works, at least.
Who’s next? Ah, Daniel Solzman…

I’m writing a paper on comics and politics and wanted to ask you a few questions.
Is it common for writers to inject their own political views in the content they are writing?
Is it fair to say that most writers tend to be liberal in views?
Also, I just now had a chance to read the Jefferson related post on your blog and I can’t believe that someone would drop your books just because you made a comment relating to the tea party. Right now, my home state of Kentucky is in the national spotlight because of Rand Paul of the tea party—he doesn’t represent Kentucky values—that much I know.
At some point, I’ll stop answering questions for school papers, I expect, but that day doesn’t seem to have come yet. To address Daniel’s questions:
1. I think it’s almost impossible for a writer to not put some sort of viewpoint—social, philosophical, political and more—into their work. It’s their work, after all. It comes from them, and reflects who they are. But I suspect that’s not what you mean—you’re probably thinking about writers having characters serve as a mouthpiece for political speech. And there’s been plenty of that in comics over the years, whether it’s Cap socking Hitler, Bucky urging readers to buy war bonds, Stan Lee’s anti-Communist stuff of the early Sixties, his anti-racism stuff on the later Sixties (and Bob Kanigher’s, and Denny O’Neil’s, and Roy Thomas’s and more), Steve Englehart’s politically-disillusioned Cap or feminist Wonder Woman, and on and on. Comics are fiction and fiction says things; it’s unreasonable to expect them to be viewpoint-free. That said, I think good writers will write stories informed by their own sensibilities, while still respecting the characters’ established personality. A conservative writer may think liberals are a bunch of nutcases, but he shouldn’t write Green Arrow as a John Bircher, because that would be inappropriate to the character, just as it would be for a liberal writer to make USAgent into a knee-jerk lefty.
2. I don’t get into that many political discussions with my fellow writers. I know more liberals than conservatives, and if I had to guess I’d guess that comics writers skew liberal, but I know folks on both the left and the right (and a batch of libertarians, too).
And hey, Rand Paul’s going to be interesting to watch, at least.
Wrapping it up, we hear from Jim Arrowsmith…

My son and I have been collecting comics ever since Arrowsmith came out…I was trying to get him to read more, which he struggled at, when he saw ‘our’ name in Atomic Comics window on an Arrowsmith poster. He started reading and never stopped.
I am now in my mid 40’s and he is 21 and we still enjoy comics…Astro City…Walking Dead are our favorites. Although we don’t see each often…when we do…we always spend some of that time commenting on the latest editions.
He was wondering if you were ever going to do another Arrowsmith Volume 2 series? Thanks for your creativity and Imagination…
Thanks for the kind words, Jim.
There will indeed be a follow-up to Arrowsmith, though it’ll take a while. We’re doing it as a heavily-illustrated prose novel, sort of like Neil Gaiman and Charles Vess’s Stardust (but instead of Neil and Charlie it’ll be me and Carlos, and instead of Stardust it’ll, uh, be Arrowsmith). But between my writing schedule and Carlos’s deadlines as an exclusive artist for Marvel, it’ll take a while. But we’ll make it as good as we can manage, and I hope you’ll think it’s worth the wait.
And so goes the mail. More in a while, I’d assume!

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