Through The Mail Slot

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So, where were we? What, mail to answer? Okay, mail to answer.
First up, from CALVIN:

Hey, Kurt, we met at the Portland show and I bought SUPERSTAR and thought it was great. Any more of this coming out? Thanks and I am looking for more of Superstar.
Not soon, at least. But more Superstar is definitely something I want to get to—if nothing else, I came up with a big sprawling epic story for the character and haven’t been able to tell even that one, much less all the others. So someday, I really want to get to that one, at least.
And, uh, sorry for taking over a year (!) to respond…
Who’s next? Ah, DEAN:

I really hope this isn’t the end of Superstar! What can we do to revive his career? He has so much potential, not only to fight evil, but really change to world for the better by inspiring his fans to volunteerism and activism.
Captain Amazing, at one point in the movie, violently rips the Pepsi logo off his costume from among the many others festooning it. Does he wear the pink ribbon of breast cancer, the multi-colored one of autism awareness, the black one in memory of MIAs and POWs? Does he go on talk shows to defend against drinking and driving, teen pregnancy, racism, or illiteracy?
If it’s revealed that he can only take the life force of willing givers, that goes a long way to alleviating my former apprehension of his soul vampirism. Superstar is the first hero I know of who has the responsibility to use his power to support itself. Remembering that he uses life force, he has to use it in a way that his fans feel is appropriate or he will lose his fans. With great power comes great responsibility and that is no more true for any superhero than it is for Superstar.
Captain Amazing?
Yes, Superstar’s energy donors are all volunteers. And Superstar’s not devouring their souls, just absorbing some sort of bio-chemical energy, or something along those lines. It’s science, not spiritualism, and he doesn’t take it by force, like a vampire.
But that big epic story I mentioned above? It’s very much about the idea that if he doesn’t do what his supporters feel is appropriate, he loses his support—and thus, his power. What happens when his supporters feel he’s unworthy? Similarly, what happens if he doesn’t want to kowtow to popular prejudices? He’s something of a politician-hero, or needs to be, and that’s very much a two-edged sword.

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Through the Mail Slot

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So, I seem to have been neglecting the blog. Sorry about that. Since last I posted, we’ve done Thanksgiving and Christmas, I’ve spent a week in L.A. pitching a movie, a week in Florida visiting relatives, written a mess o’ comics, read a ton of graphic novels and three quarters of a ton of novels, gotten very productive, gotten sick and unproductive, and now I seem to be getting productive again.
But anyway, let me answer some of the mail that’s stacked up, at least, and I’ll feel a little less neglectful. For a week or so, maybe.
From VICTOR:

I apologize if this question is at all out of line or a sore point and I’m even more sad I missed the opportunity to talk to you last weekend at Mid-Ohio, but I’ve been wondering if you felt any kind of way about Marvel’s use of your story beat from the Confessor arc of Astro City as the general concept for the Secret Invasion event from two summers back? As a fellow writer, I wholly subscribed to a “my ideas are for the world to use and explore,” but I know I’m in the minority on that one. Was this something that you were addressed with before or is it possibly another happy-accident of creative synergy?
Thanks in advance for taking the time to read this and I hope I get to make your acquaintance on the con-circuit come next year!
I’ll confess to not having read Secret Invasion, but I expect what you mean is that there were shape-shifting aliens infiltrating humanity, right? If so, the idea wasn’t original to me—Skrulls have been disguising themselves as human at Marvel for years, going back to Fantastic Four #2, when they disguised themselves as the Fantastic Four. And of course, the trope goes back to stuff like They Live, The Invaders and Invasion of the Body Snatchers as well.
I’ve also seen people suggest that Marvel took the Superhero Registration Act in the Civil War event from Confession, but that too has predecessors—the Mutant Registration Act at Marvel, the “Last Days of the Justice Society” events at DC, where the JSA heroes were pressured to reveal their identities to the government, the Keene Act in Watchmen, and of course they’re all inspired by real-world examples like the 1940 Alien Registration Act or the Nazi registration of Jewish-owned property, and so on.
What matters isn’t whether ideas are new—most aren’t, after all—but how they’re used. And I’m reasonably confident that Secret Invasion used its ideas rather differently from what happened in Confession.
From MARK:

No question, no inquiry, no request.
Just wanted to say thank you for writing great stories that I really enjoy reading and coming back to again and again.
Reread Astro City Vol 1 again and felt compelled to tell you how much I enjoyed it, again.
Very glad to hear it, sir!
CLICK THE LINK BELOW FOR LOTS MORE…

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Now There’s A Surprise

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Marvel never collected my Iron Man run, not even back when it was first coming out and selling well. So I’m pleased to see this, in their latest solicitations:

IRON MAN: DEADLY SOLUTIONS PREMIERE HC
Written by KURT BUSIEK with RICHARD HOWELL
Penciled by SEAN CHEN & PATRICK ZIRCHER
Covers by SEAN CHEN

Back from the dead (again), Tony Stark’s rebuilding his corporation from the ground up—but enemies old and new remind him his work is never done! With romance, rivalry and robots to keep him busy, can Iron Man still help Avengers teammate Warbird in her match against Stark’s own worst enemy…the one in a bottle? Guest-starring the Black Widow and James Rhodes, a.k.a. War Machine! Collecting Iron Man (1998) #1-7.

I’d assume the decision to reprint it has something to do with the second Iron Man movie coming out, and maybe the way my run has a fair amount in common with the movies—Pepper Potts as a major character, the goatee, the “smart” house—or because they want Iron Man/Black Widow material out at the moment, and there’s not as much as people might think. But for all I know, it could as easily be because they finally ran out of my Avengers to collect (on that front, they’re reissuing Geoff Johns’s first issues in hardcover that month as well), and are testing the waters to see if other Busiek material will sell. Nice to see it coming out in hardcover in any case, and who knows, maybe there’s hope for the Thunderbolts run someday…